I knew the dignity of the words: “As for man, his days are as grass, As a flower of the field so he flourisheth; For the wind passeth, and he is gone” — But I was not prepared for the beauty Of the old people coming from the church Nor for the suddenness with which our slow Procession came again in sight of the awakening Land, as passing white houses, Negroes In clothes the colors of the earth they plowed, We turned, to see bushes and rusting roofs Flicker past one way, the stretch of fields Plowed gray or green with rye flow constant On the other, away to unchanging pines Hovering over parallel boles like Dreams of clouds. At the cemetery the people Surprised me again, walking across The wave of winter-bleached grass and stones Toward his grave; grotesques, yet perfect In their pattern: Wainwright’s round head, His bad shoulder hunched and turning That hand inward, Luby Paschal’s scrubbed Square face, lips ready to whistle to A puppy, his wife’s delicate ankles Angling a foot out, Norwood Whitley Unconsciously rubbing his blue jaw, Locking his knees as if wearing boots; The women’s dark blue and brocaded black, Brown stockings on decent legs supporting Their infirm frames carefully over The wintry grass that called them down, Nell Overman moving against the horizon With round hat and drawn-back shoulders — Daring to come and show themselves Above the land, to face the dying Of William Henry Applewhite, Whose name was on the central store He owned no more, who was venerated, Generous, a tyrant to his family With his ally, the God of Moses and lightning (With threat of thunderclouds rising in summer White and ominous over level fields); Who kept bright jars of mineral water On his screened, appled backporch, who prayed With white hair wispy in the moving air, Who kept the old way in changing times, Who killed himself plowing in his garden. I seemed to see him there, above The bleached grass in the new spring light, Bowed to his handplow, bent-kneed, impassive, Toiling in the sacrament of seasons.
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