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The illustration that is now part of our logo appears for the first time on the cover of issue 9, which came out in June 1975. The artist, Tom Cleveland, took inspiration from a face on a tarot card and added a monocle for a whimsical touch. The back cover of the issue features a photo of a tree and a quote by Richard Brautigan: “I wonder whether what we are publishing now is worth cutting down trees to make paper for the stuff.”
By The SunJanuary 2014To any fully enlightened soul there is only God, or divine light and infinite knowledge. Any perfect poet — and I feel both Rumi and Hafiz were — experiences existence non-dualistically. They live as one. I don’t think they would see any difference between themselves. Any difference we might see is due to our transitory and distorted perception. Rumi, Hafiz, you, me — these are just costumes that came to life when the Beloved wiped his lips with us for whatever drunk, wild reason.
By Andrew LawlerOctober 2013The day that it happened, / my teacher had written crap on the bottom of my first poem. / I wanted to throw it into the Hudson / where it would sink with its no / under the gulls, the garbage scows, and the litter.
By Ellery AkersSeptember 2013Why do I imagine that the way I shape these sentences matters to anyone but me? So what if my writing is published? Hell, I’m the publisher!
By Sy SafranskyApril 2013The days are getting shorter and so am I. It’s a fact. I used to be six feet tall. Last month, at my doctor’s office, the nurse checked my height and told me I was five feet ten and a half inches. I just looked at her.
By Sy SafranskyFebruary 2013Note to self: don’t worry about your readers. Don’t worry about your reputation as a man with big ideas. You don’t feel big today.
By Sy SafranskyJanuary 2013The workshop was just about to get started when somebody noticed / that Leah looked glum & distracted & asked what was wrong, / & Leah told us her daughter had called from Iraq that morning, / hysterical, screaming & weeping.
By Steve KowitJanuary 2013It’s not timeless, because poets fall in and out of favor, and most poems disappear the moment after they’re written, and anyway the whole planet will be devoured by the sun in a few billion years, and when that happens, no one is going to run around screaming, The poetry! Save the poetry!
By Eric AndersonSeptember 2012In essence the defiance is about using time and skill to elaborate on an expression of feeling — or an object — beyond the crudest utility, and, by doing so, to endow it with an energy, an attractiveness, an aesthetic that invites the interest and recognition of others, sometimes even after much time has passed.
By Janna Malamud SmithSeptember 2012All of which is to say: James Hillman loved and embodied paradox — not only the play of opposites but also the effluvia that attach to the play of opposites. For James nothing was quite as it seems, except in those highly improbable moments when things are exactly as they seem. (He would have insisted on that exception.)
By Michael VenturaJuly 2012Personal, political, provocative writing delivered to your doorstep every month—without a single ad.
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