Losing them, fixing them, forgetting to put them in
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Julie Burke is The Sun’s art director. When not at work, she spends her free time writing, designing book covers, playing with her dog Jack, and reading; often, each activity gives her a new understanding of the nature of kindness, beauty, suffering, and love.
Golf was my father’s true beloved — more so, sadly, than I, or my mother, or anyone else. He embodied the very essence of the game. He was long, quiet stretches filled with difficult, sticky areas that one could navigate only after years of practice.
I like to look at people’s skin. The way others might notice a man’s eyes, or the curve of a woman’s hip, I notice complexion and skin tone. It’s not the face I’m drawn to but the skin on forearms or around the collarbone, the wrinkles on knuckles — that’s real skin.
This month marks The Sun’s twenty-fifth anniversary. As the deadline for the January issue approached — and passed — we were still debating how to commemorate the occasion in print. We didn’t want to waste space on self-congratulation, but we also didn’t think we should let the moment pass unnoticed. At the eleventh hour, we came up with an idea: we would invite longtime contributors and current and former staff members to send us their thoughts, recollections, and anecdotes about The Sun. Maybe we would get enough to fill a few pages.
What we got was enough to fill the entire magazine.
Though we haven’t devoted the whole issue to the anniversary, we have allowed the section to grow beyond our original plans. After seeing the pieces, we felt that our readers would enjoy them as much as we did — for the information about the magazine’s history, for the glimpses into the writers’ lives, and (not least) for the quality of the writing.