July 2023
Poetry By Sparrow And Alison Luterman
When I worked as a manuscript reader for The Sun, I didn’t always agree with founder and editor Sy Safransky about poetry. . . . But there were two poets whose work always appealed to both of us: the Bay Area poet and essayist Alison Luterman and New York City’s kindest oddball, Sparrow. . . . It’s my honor to introduce both poets, whose rewarding, divergent work has been crucial in shaping the voice and image of The Sun for decades.
— Ann Humphreys
Sunbeams
I dream of songs. I dream they fall down through the centuries, from my distant ancestors, and come to me. I dream of lullabies and sea shanties and keening cries and rhythms and stories and backbeats.
Open Ears
Kelefa Sanneh On What Popular Music Can Teach Us About Each Other
It wouldn’t surprise me if people looked back in twenty or thirty years and said, “This was the Bad Bunny era” — that those Spanish-language musicians have the same kind of influence today as the hip-hop pioneers and the punk pioneers did in the 1970s.
Footprints In Alabama
My mama’s family is Alabama for at least four generations. Though I grew up in Illinois, my soul is rooted here. So whenever anyone narrows their eyes and cocks their head to question how I — a Black woman — could possibly love this place, my answer has been: “Because generations of my people’s blood and footprints are in this soil.”
Chair/Body/Home
What would it take for me to no longer want to leave my body? What would it take for me to see my body as my home? I don’t know, really, except perhaps more exposure to different ideas about disability, different ideas about beauty and worth.
Heavenly Bodies
As the new millennium drew near, Erin’s family began preparing for the apocalypse. Jesus was going to return at the stroke of midnight, appearing in the New York City skyline as the ball dropped on TV and the moon turned to blood.
A Thousand Words
A Thousand Words features photography so rich with narrative that it tells a story all on its own.
Portrait Of US
Monica Jane Frisell and Adam Scher have been traveling the U.S. in their “nomadic photo ark” . . . . attempting to find evidence of what we share by making large-format portraits of Americans from different states and recording short audio interviews with them.
Some Quiet Evenings
I go out to sit with them — thin / insects tuning their strings, / the night’s first bat casting / in the breeze — and remember / that evening, hot and windless, / a new lover stripping / my bed, spreading my sheets / on the moonless grass.
False Spring
We know it can’t last. / It’s still February, and it always snows in March / and April and sometimes even in May. / We’ll take it, though, the hunks of ice / shrinking and sliding off the roof / into puddles that weren’t there yesterday
