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My esthetic: the electric bass is the full equal of any other instrument. Properly played, it can simultaneously provide both a solid rhythmic punch and a complex countermelody.
By Richard GessSeptember 1977The older special interest publications could be read by people outside of the group with some degree of comprehension and identification. Magazines like Easy Riders, High Times (dope smokers), or Soldier of Fortune (mercenaries) deny the validity or admit outright hostility toward the kind of world that exists beyond their pages or the daydreams of their readers.
By Max ChildersSeptember 1977The October light in Vermont that gives the novel its title is variously seen. Lewis Hicks at one point sees it casting beauty over the landscape; James Page, in a moment of despair, believes it exposes all the world’s rottenness.
By David GuyJuly 1977I found in James Dickey not only these allegedly “Southern” themes but also something else — that universal struggle between the spirit and the flesh. However grotesque his imagination was, this man, I felt, had more to say about the matter than any other living poet.
By Richard WilliamsMay 1977Mike looked at me quizzically while Greg Wells, another WQDR disc jockey (or “jock,” as they say in the business), delivered this devastating insight: “Well, you know what it is, Dave . . . You’re just getting old.”
By David SearlsMay 1977The photographs in this selection are available as a PDF only. Click here to download.
By John TomsMay 1977Cheever’s narrative details the later history. It tells the story of the wanderer, the outcast, the man cursed from the ground. It is a story not just of the fate of Cain, but also of the society which condemns him.
By David GuyMay 1977Being is my every breath, the truth I bathe in; Reality is my all even when it tears at me behind these walls. I will not look away, I have seen all the games, and though I am not perfect (who is?) I am not needing those things for they are not lasting.
By Carl HarpMay 1977Write what matters, as well as possible, risking triteness, risking being labeled political, risking being under or overfunded, risking being imprisoned. The only weapon anyone really has against you is death. And that weapon, too, the older poets used to say, can be turned against an enemy.
By Judy HoganApril 1977Personal, political, provocative writing delivered to your doorstep every month—without a single ad.
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